Living paradigms of theatrical magisterium

Abstract

It is an approach to the rich trajectories some of the most notable protagonists of the theatrical creation in the Holguin of the revolutionary era; the actress Norma Arencibia Labrada, the actor and atrecist Fernando Gil Arias Espinosa and the playwright Carlos Leyva Bonaga. On these personalities of the local culture could be verified through the interaction with residents, amateurs and the consultation of documents among other sources, that there is little knowledge of his life and work. There were used methods that allowed a deep investigation; an approach was made to fundamental aspects of their professional work, drawing a broad profile of their performance as artists to portray their most diverse facets and projections. It was made an emphasis on the elements that they used in the commitment to teach art and the elements that served them to work with the Instructors of the new generation. The structure of the work allows to enjoy the testimonies of the own stories of its protagonists. The article summarizes the artistic-cultural and pedagogical contributions of these specialists with great performance in the art of theatrical magisterium.