Bosquejo histórico del grabado en Holguín

Authors

  • Ernesto Galbán Peramo Instituto Superior Pedagógico José de la Luz y Caballero Holguín

Keywords:

ingraving, plastic arts

Abstract

This article is important because the ingraving in general is a form of communication which doesn´t need translator or interpreters. The ingraving in Holguín is a historical form of interpretation for many artist in galleries, museum and other places. The ingraving in this area was start in the Republic epoch with the author Rafael Melanio Aguilera. After the Revolution in 1959 in our province are develop of this manifestation inside the plastic art and now represent the important aspect in the culture of the region.
For this reason this investigation is important to teach in other schools of this province.

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References

CASTRO FUENTES, ANA. Orientación actual de la plástica holguinera. Ámbito (Holguín) 3 (1): 12-15, 1994.
Diccionario técnico de las artes gráficas. La Habana, Departamento técnico y de desarrollo, Empresa Consolidada de Artes Gráficas, 1976.
GARCÍA ALONSO, ALEJANDRO. Taller de Holguín. Revolución y Cultura (La Habana) No.12: 44-46, diciembre 1985.

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Published

2017-03-13

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Section

Articles

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